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	<title>Comments on: The Story Simple? O Simple!</title>
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	<description>Quips, Quibbles, Queries, and Quarks from a Quirky Bardolator</description>
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		<title>By: computer mouses</title>
		<link>http://www.bardblog.com/the-story-simple-o-simple/comment-page-1/#comment-1202</link>
		<dc:creator>computer mouses</dc:creator>
		<pubDate>Thu, 05 Jan 2012 04:06:32 +0000</pubDate>
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		<description>Cheers to the brilliant content contained throughout your blog, what will happen is a small test on your blog viewers. Who actually proclaimed this quote? . . . .Speak softly and have a big stick; you may go far.</description>
		<content:encoded><![CDATA[<p>Cheers to the brilliant content contained throughout your blog, what will happen is a small test on your blog viewers. Who actually proclaimed this quote? . . . .Speak softly and have a big stick; you may go far.</p>
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		<title>By: A.K.Farrar</title>
		<link>http://www.bardblog.com/the-story-simple-o-simple/comment-page-1/#comment-296</link>
		<dc:creator>A.K.Farrar</dc:creator>
		<pubDate>Fri, 27 Jun 2008 05:32:23 +0000</pubDate>
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		<description>People keep trying to shoe-horn Shakespeare into the classical model (you should hear my rant on the very idea of tragic flaw when applied to Shakespear - or maybe not).

I can hardly think of a play by Shakespeare that isn&#039;t &#039;garlic&#039; rather than &#039;onion&#039; - several interrelated elements joined at a root rather than &#039;layered&#039; to a single core.

Re: Types - careful, he did write types - but the simplistic &#039;stock&#039; character doesn&#039;t reflect either Shakespeare&#039;s or his contemporaries use of the concept (or, incidently, the Commedia ...).</description>
		<content:encoded><![CDATA[<p>People keep trying to shoe-horn Shakespeare into the classical model (you should hear my rant on the very idea of tragic flaw when applied to Shakespear &#8211; or maybe not).</p>
<p>I can hardly think of a play by Shakespeare that isn&#8217;t &#8216;garlic&#8217; rather than &#8216;onion&#8217; &#8211; several interrelated elements joined at a root rather than &#8216;layered&#8217; to a single core.</p>
<p>Re: Types &#8211; careful, he did write types &#8211; but the simplistic &#8216;stock&#8217; character doesn&#8217;t reflect either Shakespeare&#8217;s or his contemporaries use of the concept (or, incidently, the Commedia &#8230;).</p>
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		<title>By: Craig</title>
		<link>http://www.bardblog.com/the-story-simple-o-simple/comment-page-1/#comment-293</link>
		<dc:creator>Craig</dc:creator>
		<pubDate>Thu, 26 Jun 2008 15:02:03 +0000</pubDate>
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		<description>Feste rocks!  One of the great Fool roles.

I agree with you that &quot;protagonist/antagonist&quot; is just not a very profitable frame for analyzing 12th Night.  Viola/Malvolio is certainly wide of the mark--we could talk about Sir Toby/Malvolio, at least in terms of the subplot...but I just don&#039;t think that leads us to anything interesting or illuminating.  If we must talk about an antagonist for Viola, I&#039;d pick Olivia, her rival for Orsino&#039;s affections...except that no-one except Viola knows that there even _is_ a love triangle until Act V.</description>
		<content:encoded><![CDATA[<p>Feste rocks!  One of the great Fool roles.</p>
<p>I agree with you that &#8220;protagonist/antagonist&#8221; is just not a very profitable frame for analyzing 12th Night.  Viola/Malvolio is certainly wide of the mark&#8211;we could talk about Sir Toby/Malvolio, at least in terms of the subplot&#8230;but I just don&#8217;t think that leads us to anything interesting or illuminating.  If we must talk about an antagonist for Viola, I&#8217;d pick Olivia, her rival for Orsino&#8217;s affections&#8230;except that no-one except Viola knows that there even _is_ a love triangle until Act V.</p>
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